Insert
The source that follows is:
- Source A: 19th-century prose fiction
- The Overcoat by Nikolai Gogol
An extract from a work first published in 1842.
This extract is taken from The Overcoat (1842) by Nikolai Gogol, a satirical short story about Akaky Akakievich, a poor clerk in St Petersburg. It focuses on his lonely routine and the small hopes he invests in an overcoat, exposing the cold indifference of bureaucracy.
Source A
1 I took Ruby, my best horse. He was a sure reliance under all circumstances, and he and I knew each other perfectly. We were at home in every foot-path in the country, having had many a summer's swim in this very river; and now, accompanied only by Wettstein and Klitschka, I went on to the ferry-boat.
6 It was what is known as a "swing" ferry. A stout rope is stretched between trees on the opposite shores, and the boat is attached to a couple of pulleys arranged to traverse the length of this rope. The attaching cords--one at each end of the up-stream side of the boat--are long enough to allow it to swing some rods down the stream; by shortening one of the ropes and lengthening the
11 other, the boat is placed at an angle with the swift current, which propels it toward one shore or the other, the pulleys keeping pace in their course on the main rope. The main rope was rough from long use, and often the pulleys would halt in
16 their course, until the pull of the advancing boat dragged them free. Then the rickety craft, shivering from end to end, would make a rapid shoot, until another defective place in the rope brought her to again. At each vibration, the horses nearly lost their feet, and the surging stream almost sent its muddy water over the gunwale. It was a long and anxious trip,--the rotten guy-
21 rope hardly serving to hold us to our course. At last we reached the shore and rode on to Craikill's house in the Bottom. He had been "conscripted," and forced to go with the army, so his wife told us, and she had seen him march with the rest on the Fairview Road for Little Rock. The last bird had flown, and we could safely march back at our leisure.
26 Wettstein filled his pipe, emptied his haversack for the benefit of Craikill's hungry children, and, cheery as ever, followed me to the ferry. On the way over he had been as still as a mouse, for he was too old a soldier to give an enemy any sign of our approach. But, as we set out on the return trip, in the
31 cold moonlight, he sang the "Ranz des Vaches," fondled his little mare, and, unmindful of his wounded arm, gave way to the flow of spirits that the past few days' duty had checked. I never knew him more gay and delightful; and, as we stood leaning on our saddles and chatting together, I congratulated myself upon the possession of such a perpetual sunbeam.
36 We were barely half-way across, when, suddenly, coming out of the darkness, riding half hidden in the boiling, whirling tide, a huge floating tree struck the boat with a thud that parted the rotten guy-rope, and carried us floating down the stream. For a moment there seemed no danger, but a branch of the tree
41 had caught the corner of the boat, and the pulleys had become entangled in the rope. When this had been drawn to its full length, and the tree felt the strain, the boat dipped to the current, filled, and sank under our feet. I called to Wettstein to take Klitschka by the tail, but it was too late; he had grasped the saddle with the desperation of a drowning man, and made her fairly
46 helpless. The boat soon passed from under us, and, relieved of our weight, came to the surface at our side; but, bringing the rope against poor Wettstein's wounded arm, it tore loose his hold, and soon went down again in the eddy, and Klitschka was free.
51 "Adieu, Herr Oberist; tenez Klitschka pour vous! Adieu!" And that happy, honest face sank almost within reach of me. The weight of his arms prevented his rising again, and only an angry eddy, glistening in the moonlight, marked his turbid grave.
56 Ruby, snorting, and struggling hard with the current, pulled me safely to the shore, and little Klitschka followed as well as her loaded saddle would permit. For the moment, with my own life and the lives of two tried companions to care for, I thought of nothing else; but as I sat drying at Magnus's roaring hearth the direst desolation overwhelmed me. Very far from home,--far
61 even from the home-like surroundings of my own camp,--I had clung to this devoted fellow as a part of myself. He was a proven friend; with him I never lacked the sympathy that, in the army at least, is born of constant companionship, and he filled a place in my life that dearer friends at home might not find. He was the one comrade whose heart, I was sure, was filled
66 only with unquestioning love for me. Henceforth I must look for support to companions who saw me as I was, who knew my faults and my weaknesses, and whose kind regard was tempered with criticism. The one love that was blind, that took me for better or for worse, had been, in an instant, torn from my life, and I was more sad than I can tell.
Questions
Instructions
- Answer all questions.
- Use black ink or black ball point pen.
- Fill in the boxes on this page.
- You must answer the questions in the spaces provided.
- Do not write outside the box around each page or on blank pages.
- Do all rough work in this book. Cross through any work you do not want to be marked.
- You must refer to the insert booklet provided.
- You must not use a dictionary.
Information
- The marks for questions are shown in brackets.
- Time allowed: 1 hour 45 minutes
- The maximum mark for this paper is 80.
- There are 40 marks for Section A and 40 marks for Section B.
- You are reminded of the need for good English and clear presentation in your answers.
- You will be assessed on the quality of your reading in Section A.
- You will be assessed on the quality of your writing in Section B.
Advice
- You are advised to spend about 15 minutes reading through the source and all five questions you have to answer.
- You should make sure you leave sufficient time to check your answers.
Section A: Reading
Answer all questions in this section. You are advised to spend about 45 minutes on this section.
Question 1
Read again the first part of the source, from lines 1 to 5.
Answer all parts of this question.
Choose one answer for each question.
1.1 How does the narrator describe Ruby?
- A reliable horse the narrator knew well
- A recently bought colt the narrator was unsure about
- A stubborn mule that frequently caused the narrator trouble
[1 mark]
1.2 According to the extract, how does the narrator regard Ruby?
- The narrator and Ruby are long-standing partners who share trust and understanding.
- The narrator has only just met Ruby and feels unsure about the horse.
- The narrator often loses control of Ruby, especially near water.
[1 mark]
1.3 According to the narrator, what is true about travelling with Ruby?
- The narrator trusts Ruby completely.
- The narrator expects Ruby to be nervous and unpredictable.
- The narrator has only just started riding Ruby.
[1 mark]
1.4 Why does the narrator choose Ruby for the journey?
- Ruby is the narrator's most reliable horse.
- Ruby needs training because Ruby is young.
- Ruby is the only animal available to the narrator.
[1 mark]
Question 2
Look in detail at this extract, from lines 36 to 45 of the source:
36 We were barely half-way across, when, suddenly, coming out of the darkness, riding half hidden in the boiling, whirling tide, a huge floating tree struck the boat with a thud that parted the rotten guy-rope, and carried us floating down the stream. For a moment there seemed no danger, but a branch of the tree
41 had caught the corner of the boat, and the pulleys had become entangled in the rope. When this had been drawn to its full length, and the tree felt the strain, the boat dipped to the current, filled, and sank under our feet. I called to Wettstein to take Klitschka by the tail, but it was too late; he had grasped the saddle with the desperation of a drowning man, and made her fairly
How does the writer use language here to build a sudden sense of danger and confusion? You could include the writer's choice of:
- words and phrases
- language features and techniques
- sentence forms.
[8 marks]
Question 3
You now need to think about the structure of the source as a whole. This text is from the end of a story.
How has the writer structured the text to create a sense of poignancy?
You could write about:
- how poignancy deepens by the end of the source
- how the writer uses structure to create an effect
- the writer's use of any other structural features, such as changes in mood, tone or perspective.
[8 marks]
Question 4
For this question focus on the second part of the source, from line 26 to the end.
In this part of the source, where Wettstein is singing happily on the ferry, his mood seems particularly cheerful. The writer suggests that this makes his sudden death moments later feel more shocking and tragic.
To what extent do you agree and/or disagree with this statement?
In your response, you could:
- consider your impressions of Wettstein and his sudden tragic death
- comment on the methods the writer uses to present Wettstein and his sudden death
- support your response with references to the text.
[20 marks]
Question 5
A podcast about local sport is inviting listeners to send in short creative pieces.
Choose one of the options below for your entry.
-
Option A: Describe a martial arts training hall from your imagination. You may choose to use the picture provided for ideas:
-
Option B: Write the opening of a story about facing a rival.
(24 marks for content and organisation, 16 marks for technical accuracy)
[40 marks]